These site-specific works manifest the same intense physicality as his earlier output, but at an astoundingly massive scale. Serra's later career has focused on elliptical forms whose steel surface is intended to change color and texture when exposed to the weather. ![]() Examples of this practice include installations of thrown molten lead that use architectural corners as a mold, or metal plates and poles held in place by their own weight. ![]() Serra's work took abstract and invisible properties such as weight, balance, pressure, and gravity - all of which are traditionally associated with sculpture - and made them visible and visceral. This poster featuring Triptych 2 (2019) was produced in 2019, in conjunction with a trio of exhibitions of Richard Serras work at Gagosian, New York. Serra quickly rose to prominence in a climate where artists were reexamining Minimalism's static formal qualities in favor of a more analytical approach to process and materials. It was there that he began making art from industrial materials, especially metal. After studying at the University of California at Berkeley and at Santa Barbara, he graduated in 1961 with. After receiving an advanced degree in fine arts from Yale, he moved to New York in 1966. Richard Serra was born in San Francisco in 1938. Serra studied at the University of California, Berkeley, and worked in steel mills in the East Bay to support himself. He has written about the formative experience of watching the launching of the huge steel tankers, in which balance and buoyancy were dramatically tested. The exhibition will focus on Serra’s Prop sculptures, which the artist first began to explore in 1968-69. A native of San Francisco, Richard Serra grew up visiting the Marine shipyards where his father worked as a pipe fitter. Richard Serra (MoCA, Los Angeles, 1998) Van de Weghe Fine Art is pleased to announce an historical exhibition of important works by Richard Serra. Like other works by Richard Serra, which demand interaction and reflection, this sculpture must be understood not only by viewing it but also by walking.
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